At home, she had made coffee and they talked as they went through the books and Coral was fascinated by the subject. Anabelle noticed the way she kept flicking back the long, chestnut hair as she studied the illustrations. She shook herself and made a mental note to be careful.Then, as they both looked at a book, she made a point and turned to look at the girl. Coral was looking back and her eyes, wide and dark brown, smiled. Their faces were inches apart. Anabelle felt paralysed as Coral’s hand came up and gently stroked her cheek. Then she was falling. Inches seemed miles as their faces closed. The last millimetres seem to take an age before soft lips pressed against hers and she felt that tongue, that hot, electric tongue, between her lips. Their mouths were open and faces twisting against each other’s as the kiss deepened into facial ****. Anabelle knew she should stop this here. Knew she MUST stop it here. She felt the girl’s hand at her waist, easing itself slowly up. Fifteen was rather an exception in that respect. Innocence’s blessing was that her marketability was not just due to her unusual assets, but that, as was made increasingly apparent to her, she was a very attractive woman who didn’t need the surgery or hormonal treatment to develop large breasts, massive buttocks, green skin or split vaginas. Nevertheless, she still felt slightly soiled by the fact that she was working in a profession where however much the film makers she was associated with might hold dear to certain high moral, political or sexual principles there were many more others whose only criterion of judgement was the number of units their product would sell – and as perversions sold well these were particularly attractive to them: the more gross, uncomfortable and generally unpalatable the better. However, as Dodie often reminded her when she reflected on her career and where it was taking her, it was through her work that she’d been able to afford the beautiful flat she.
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